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Photo shows Physical Energy by G F Watts in Parlanti's foundry. 

From museum pieces to public monuments, from small gold medals, silver spoons and polychrome maquettes to huge statues, the Parlantis have cast them all. However, it is for works cast in bronze by the cire perdue or lost wax process that the Parlantis are most renowned.

The purpose of this website, which has been composed by Steve Parlanti, is to promote awareness of the importance of the Parlanti art bronze foundries, which were active in the UK between 1890 and 1940. All too often, the skill of the art bronze founder is overlooked, but without them we would not be treated to the wonderful bronzes that are to be found worldwide.

Records for casting from this period, both from foundries and sculptors, are difficult to come by, and for this reason this website is far from a comprehensive database of the Parlanti's casts. Research is ongoing, and the list of confirmed Parlanti casts is always increasing. The 'Sculptors' and 'Castings' pages are regularly updated, and the 'Latest & Archive News' page contains the more interesting and important finds. The writer of the website has far more information than that contained within this website, and would be happy to receive any enquiries or comments through the 'Contact' page.

Of particular importance is the distinction between Alessandro Parlanti, and his younger brother by some nine years Ercole Parlanti. Company headed papers suggest Alessandro was running his own foundry at 59 Parsons Green Lane, Fulham from 1895 to around 1917, and that Ercole ran his foundry at Beaumont Road from about 1917, having worked alongside Alessandro for many years. However, with Alessandro and his family missing from the 1911 census, Ercole signing company letters instead of Alessandro, and other clues which have been uncovered, it can reasonably be assumed that Ercole was running the foundry at Parsons Green Lane known as 'Alessandro Parlanti' on his own-either temporarily or permanently-for some considerable time prior to him moving to Beaumont Road. Current research suggests that Ercole may have been running the foundry as early as April 1904. This needs to be kept in mind when reading the section on Alessandro.

Although they cast in all metals and in plaster, the name Parlanti is especially important when it comes to casting in bronze. It is widely acknowledged that it was Alessandro Parlanti who was responsible for the re-introduction into England of the lost wax process, certainly the Italian method, which had been lost for some time. This way of casting is very much still in existence today, and many of the foundries that currently cast by the lost wax process can trace their origins back to either Parlanti, or one of the many art bronze founders who worked at Parlanti’s before setting up on their own: Fiorini, Galizia, Gaskin and Mancini being but some examples.

Before arriving in the UK, Alessandro and Ercole Parlanti both worked at the Fonderia Nelli in Rome, as did their father Antonio. Antonio was born in Bolsena, some 80 miles north of Rome. Antonio moved to Rome, where he worked his way up from labourer to artist in bronze.

Alexandre Nelli, owner of the Fonderia Nelli has, until now, proved somewhat of an enigma due to the lack of information concerning him. Now, a separate page has been devoted to Nelli, as he was of such importance it would be churlish not to include him on the Parlanti website.

It is believed that the skill of the art bronze founder will be increasingly appreciated as more information becomes available. The inability of many of the top sculptors (Sir Alfred Gilbert and Henri Gaudier-Brzeska for example) to be able to cast to the highest standard required is proof alone of how a top art bronze founder is far more than simply a factory technician working on the orders of an artist; he is an artisan of note in his own right.

The writer of this website is grateful to a great many people and organisations for help and information provided. However, particular thanks go to Louise Boreham, granddaughter of the artist and sculptor Louis Reid Deuchars, for providing extra information, and to Chantal Brown for her translation services.


         
Parlanti Coat of Arms as produced by Mario Parlanti c.1960